CARELESS BEAUTY ~ Cologne Intense by Houbigant

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Hothouse lilies white in the window seemed almost invisible against the falling snow beyond the arches of the portico along Rue Royale.  Durocher’s was famous for the best flowers in Paris and the most beautiful blooms of roses and lilies flown in from the greenhouses in the South of France.

 

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Madame Durocher looked beyond the lilies to the other side of the street where Noël Boulet stood in the snow watching the shop. She smiled, Poor boy, utterly and hopelessly crushed by his infatuation with Alizée, the young girl who helped Madame in the afternoons.

The door opened with a gust of snowflakes borne upon icy wind.

“Good day Monsieur, how can I help you?” Madame Durocher put her glasses that rested on a chain around her neck on the bridge of her nose then as was her odd custom dropped her head so as to look over the top of them.

“I would like an arrangement of Freesia and Lilly of the Valley; they are for my housekeeper.”

As Madame set about writing up the order for whom she knew, without asking his name, was Rene Michel Petriz. He and that actress were all over the news. She didn’t care much for his kind or that American Actress ether. “A notorious gigolo and a cinema harlot on the downslide of life.” she would say, if anyone cared to know her opinion.

Alizée came from the back of the shop carrying a huge bunch of Hyacinths for the client she was helping. Rene Michel at first barely took note of her. He turned to look at the lilies in the window and was amused to see a young man with his nose pressed against the glass. He was dreamily gazing at the girl with the Hyacinths.  Rene Michel then turned his eyes back upon the subject of the boy’s adoration.

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It amused him even more to note that she had barely noticed the boy. Her only reaction to his presence on the sidewalk under the portico was when she looked at him only once, to wrinkle her nose as if she smelled something slightly sour. Then without her even being aware of what followed, she smiled sweetly to herself. It struck Rene Michel that she was indeed, for a girl of maybe at the most 17, an exceptional beauty.

Madame presented him with his flowers perfectly wrapped in cellophane and white ribbons. “I hope your house keeper likes them Monsieur.”

He paid her and turned to leave. The boy in the window seemed now literally to be frozen to the glass.

Rene Michel could not let this moment pass. He turned back to the counter. Madame Durocher was gone only Alizée remained. She was arranging a small bouquet of Forget Me Nots.  And all the while giving the boy outside a disapproving look.

“Why don’t you invite him in?” Said Rene in his most seductive professional voice. The one he used with his new clients. “He looks cold out there.”

She was taken aback. “Who?”

“That poor love struck young man at the window.”

“Oh Noël?  He is a nuisance.” She smiled up at Rene and suddenly was caught simultaneously by his charm and good looks and being so caught it followed that she recognized him. A little gasp as she tried but failed to recover her composure.    “He is just a boy.” She said softly. She dropped the bouquet and smiled into his hazel eyes that were ringed in gold.

“When I was young and just like that boy there was a girl like you in a little shop.  Had she been kind to me rather than cruel, well both our lives might have been different.  We might have been…happy.” He gave her a glittering smile.  “Ah well I suppose it is the way of things Mademoiselle. To be so pretty and young and so quick to break a heart so carelessly. Au revoir. “

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Photograph JOEL SAGET

As he passed through the door out into the snow Alizée, looked after the handsome man who all of Paris adored as a scoundrel. Then her eyes shifted to Noël Boulet.  He smiled his funny crooked smile, that when she narrowed her eye she could see was a rather handsome and kind smile. But still he was annoying. Sometimes.

“Madame my I go for my lunch early?”

“Yes I suppose but be back in half an hour.”

She walked out of the shop and turned to face a shivering, smiling, wonderstruck Noël.  Alizée took his rough woolen gloved hand in hers. “Would   you like to come with me for a cup of hot chocolate?”

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   ***

 

The nose behind the new masculine fragrance by Houbigant, Cologne Intense is Luca Maffei. He is a young nose in the fragrance industry that is making a name for himself with such stunning fragrances as Perris Monte Carlo’s Oud Imperial and Rose de Taif. What he has created in Cologne Intense is something brilliant bold and breathtaking. The presentation of the fragrance which comes in both Eau de Parfum and Extrait Parfum is classically elegant. The 100 mil bottle is the same sophisticated masculine bottle that was created for Houbigant’s 2010 re-release of the exquisite Fougere Royale from 1882. The juice is darker in Cologne Intense which only adds a golden richness to the presentation. Just as the No.5 bottle is used for other perfumes by Chanel so it is that Houbigant is presenting this release in the same bottle as Fougere Royale. This smart marketing gives a certain instant house recognition. You see the bottle and you know the house at once. Class and sophistication are assured.

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(Luca Maffei creator of my favorite fragrance release of 2015 ~ Photo Cafleurebon)

The parfum is classified as a citrus aromatic. I agree, it opens with sharp crisp summer freshness of Sicilian lemons, a bitter bite of Calabrian bergamot which sparks brilliantly on the skin then gives way to the wonderful green petitgrain and Moroccan neroli. It is a show of green citrusy skyrockets that shimmer as they rise and sparkle as they fall way to reveal the center of this fragrance.

 

Here within the heart in this classic a savory tarragon takes the center stage. It is richly blended into a complex dance with red pepper, a touch of lavender, and a whiff of Indian Jasmine. Oh that Jasmine is nice if subtle, as it should be. And the pepper is sharp adding depth to the tarragon and lavender.  I love the middle of this fragrance but my love turns to obsession when we reach the dry down.

 

In the bottom notes I find a fine and creative blend by Luca Maffei that make this a truly memorable release of 2015. The two magical notes he introduces to the fragrance are a bitter Mat Tea and lush deep and hypnotic incense.  The effect with the fading mid notes is sheer olfactory heaven. The longevity on my skin last between 6 to 8 hours. the sillage is at about 18 inches.

 

Cologne Intense is one of my top favorite releases of last year. It is a beautiful addition to the venerable and historic house of Houbigant that is both a tip of the hat to past classics, an era of refinement and grace but also embodies a youthful modern vibe.

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UNFORGETTABLE ~ Iris des Champs by Parfums Houbigant Paris

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The rap of his camel crop on the rim of her pith helmet brought her into focus. His sun bleached blue eyes narrowed to a cutting beam and frightened her. He handed her the canteen with a scruffy scowl.

In this place where there is no word for ice and snow the North Africans call it, the anvil of the Sun, the part of the Sahara where nothing lives.  Here dying men see many things real and unreal. The few who have survived tell of smelling the beautiful scent of austerely cool flowers dappled in dew in the heat driven deliriums of the desert.

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“We are going to have to get rid of that ridiculous luggage of yours.” He said.  “The camels are more important, and the porters too.”

“My Louis Vuitton?”  She said trying to focus on the shimmering horizon. A field of purple flowers shot through with yellow seemed for a moment to be there, far in the distance. It looked like fields near the villa she had stayed in last spring in Tuscany.

“If you want to live to see the next oasis Miss Lord, then yes, your Louis Vuitton.”

Against everyone’s advice Kelly Lord had hired the cold distant and dangerous Daniel Taggart to lead her across the Sahara to find the lost perfumed city of Mjal Eeyrys. The place where the legend says perfume was first created five thousand years ago. He had strongly advised her not bring her frivolous fashions on an expedition but to pack light and dress for the heat. This was not a society safari that most of the Newport 400 whom she was intimate with indulged in, but a life and death proposition. Scorpions and cobras had not the slightest interest in what was the height of fashion of the 1932 Paris season. A Chanel suit or a Schiaparelli ensemble was taboo when tomb hunting. She thought at the time the tall cool blond man was absurd. She never went anywhere without looking her best.

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Things had changed after 500 miles under a cloudless sky and over the blistered sands. She was shedding her silks to find out just what kind of woman she was.

“All right then…” She looked as his craggy bronzed face. It was the kind of hard chiseled face she would have never found attractive back home in Philadelphia. “Dump it, dump it all.”  She said feeling giddy and free.

He turned in his saddle and called back to the porter’s in Arabic. At once they began to cut the leather bound Paris fancies loose.

“Wait!”   She called. “Not the smallest bag, the one with the Houbigant perfume and the negligee.”

He looked at her and for the first time all day gave her that crooked smile she was learning to like.

“I might need that… you never know.”

He snapped his crop on the camel’s rump and shouted. “Yalla Yalla” The camel bellowed and galloped ahead.  He looked back over his shoulder to Kelly. He was still smiling.

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  ***

Yesterday October 11th I had the wonderful opportunity to spend some time with Michal Gizinski and Hilary Randall at the Houbigant launch at Neiman Marcus San Francisco of the gorgeous new scent Iris des Champs. I do want to clarify here that when I mentioned in my video in the previous post about the dinner I attended hosted by Michal and I said he worked for several companies in fact what I meant was that he is the representative for Houbigant, 10 Corso Como and Perris Monte Carlo exclusively at Neiman’s.

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The presentation of the eau de perfume and the essential Parfum was beautifully arranged with Iris and the stunning bottles and boxes. The royal blue and yellow are the colors and on the inside of the wonderful box and along the inside purple and yellow irises are the theme of the design.

I did get to sample the eau de perfume at the San Francisco Perfume Salon dinner last week and it was wonderful to smell it again yesterday as Michal and Hilary took be through the journey of the Iris.

Iris is one of the most expensive ingredients in perfume because it is so difficult to extract the scent from the flower. In truth the fragrance is extracted from the root of the flower called rhizomes, not the flower itself. At harvesting there is barely any scent at all from the rhizomes. They are gently unearthed cleaned and cut by hand, then dried in the sun. After this first drying process they are placed in cloth bags for further drying and aging. This stage takes three years after which they are distilled into a butter like form called beurre d’iris. Only then does the wonderful note of Iris emerge to enchant and captivate the nose. The entire process takes up to 5 years to complete from planting to the creation of the beurre. Now we move on to the making of the perfume which in and of itself is a very time consuming process.

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Iris des Champs opens with a hint of bergamot, a light rose, accompanied by muted notes of lily of the valley that ring softly and lovely in the background as they are joined by a few shakes of pink pepper. This is all very brief and subtle like a flourish of muted French horns announcing the arrival of Le Roi Iris étincelant.

The king Iris enters from the very beginning of the perfume and with his court of beauties in attendance, Jasmine and ylang ylang. He shines from a throne of sandalwood and amber, as he holds court over the skin in magisterial beauty. In the later part of his reign, the dry down is a beautiful blend of vanilla that creams the sandalwood and amber and mellows into a sleepy slumber on a woody bed laid over with a soft duvet of musk.

Iris is a magnificent note that is often found in women’s perfumes but always to me gives them a cool austere masculine strength. It has made an appearance in men’s fragrance before, such as Dior Homme.  This note like the blue fire from the moon in the 1965 film “She” burns cold and does not consume but rather gives an immortal grandeur and life to a perfume. It is often called the powdery cool blonde of the perfume world when the note is included in a perfume of a feminine bent. In point of fact Hilary Randall found in her encounter with Iris des Champs and scent image of  the inside of Grace Kelly’s Hermes bag that she carried on the day she steamed into the harbor of Monaco to marry Prince Rainier.

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Yes I too see that, a hint of leather that one often gets from Iris. It gives this perfume strength and authority with out overpowering its beauty. Yes there is a powdery aspect to it but gentleman isn’t it time to embrace the powder. It is after all a staple of the barbershop experience.

Iris des Champs, which translates to filed of iris is the perfect perfume for any woman of elegant sophistication who posses an air of grace and élan. Or any young lady who aspires to project those attributes. And for men?

The baritone beauty of Johnny Hartman singing “Unforgettable” comes to mind when I smell this perfume and in that song I find one last image. Kelly Lord and Daniel Taggart are floating across a moonlit terrace in the South of France in an effortless foxtrot that leads to a kiss under the stars. In their search for the lost city of Mjal Eeyrys they found an unexpected match in each other. And in the iris blue morning while she sleeps, he finds her bottle of Iris des Champs and smiles. As he sprays it on his sunburned chest, he too becomes, unforgettable.

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Iris des Champs ~ Five Platinum Stars *****

PERFUME IS STYLE, IT IS VITAL! ~ Vreeland Perfumes Launch & The New Houbigant Perfume!

dianavreelandmemos_p122October 14, 2014 …Mark your CALENDAR! Here in San Francisco the official launch for the Diana Vreeland line is happening at Neiman Marcus Union Square. Alexander Vreeland founder of the perfume line and grandson of Mrs. Vreeland will be in attendance. D.V. ambassador, Tony Mendez will be our host and he has planed for us a fabulous afternoon under the dome at Neimans.

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But hold on to your atomizers! there is more going on in our beautiful city by the Bay.  October 11 at Neimans Michal Gazinski will be presenting the gorgeous new Houbigant perfume Iris des Champs. This  stunner is a real show stopper and sure to be a hit with an adoring perfume loving public. So if you are in the San Francisco Bay Area do pop in for both events. As we tumble into Fall the most glamorous perfumes of the year are making their entrance.

Here in my video review I talk more about these perfumes and the events as well as a marvelous fragrant dinner I attended with with a wonderful group of perfume creators and lovers which for a lack of a name I call the San Francisco Perfume Salon.

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IRIS DES CHAMPS by HOUBIGANT

THE FAIRY GODMOTHER OF 5TH AVENUE ~ Quelques Fleurs L’Original by Houbigant

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When she swept past the doorman at Bergdorf Goodman she smelled of Prell shampoo and crisp starched linen.  He smiled and nodded as he held the door open for her, she was one of his favorites of the working girls who breezed over from Madison Avenue on their lunch hour and out again in less than fifteen minutes. She was as fresh and just as pretty as any young ingénue on or off Broadway.

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There were so many of them hurrying along 5th Avenue, secretaries and stenographers from the advertising houses and the book publishers. Between 11:30 and 2:00 p.m. they hit all the department stores from Bonwit Teller to Bergdorf’s with one thing on there minds; a free spritz of some exotic and impossibly expensive perfume. June Ramsey was no exception. She smiled at the doorman. He winked at her, like he always did.

She worked at Harper and Row in the secretarial pool for $75 a week. For her perfumes were a luxury she could not afford unless it was some horrid eau de toilette from Woolworth’s. She was not a Woolworth’s kind of girl.

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“If you want to smell like Chanel No.5 but can’t afford it honey, just dab some Palmolive dishwashing liquid behind your ears. Smells just like it!” Louise from accounting had given her that tip one day during a coffee break.

“No June that is so cheep! Do what I do. Make Bergdorf’s perfume counter part of your daily toilette routine.” Maggie from the reading department whispered so that Louise would not hear her dig. “And especially if you have a big date!”

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She stood at the counter looking at the assortment of romances bottled and packaged for dreams. There was Shalimar, No.5, L’Interdit, all exquisite, but somehow not right for tonight. June fingered the buttons on her home sewn Simplicity “Chanel” suit and closed her eyes.

“Having trouble deciding?”  June opened her eyes. There next to her was an exquisitely dressed woman of 50 or so. She smelled amazing and looked every inch very, very Upper East Side.

“Oh! Yes, I mean no… I am just looking.”

The woman nodded and then picked up a bottle of perfume and showed it to June. “This is my favorite for a very special night out. Like the one you are heading for tonight I am guessing.”

“How did you guess? It is a first date; he is taking me to see that new show, “Camelot” at the Majestic.”

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“I am good at reading people.  Here why don’t you try it? It is called, Quelques Fleurs.”

“Well, I… I can’t afford it. $30 a bottle.” She sighed

“A sample spray can’t hurt your pocketbook,” She smiled mischievously. “Besides, all the girls who work around neighborhood sneak a spray. I bet you do too. And you never know what a perfume like this one might add to your first date.”

“Alright, maybe just one little spritz.”

“Close your eyes my dear….”

 

When June walked out of Bergdorf’s the doorman caught a whiff of her perfume. He grinned and looked back into the store. Mrs. Goodman was afoot and playing fairy godmother to the working girls again.  He chuckled at the thought of just how surprised that young lady would be when she opened her purse.  There she would find a bottle of Mrs. Goodman’s favorite perfume beautifully wrapped in Bergdorf Goodman tissue paper with a kind note tucked neatly in among her lipstick and Kleenex.  Mrs. Goodman always had the girls close there eyes when she sprayed them. That was when she made the drop!

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***

 

Quelques Fleurs L’Original was created by the nose of Robert Bienaime for the house of Houbigant in 1913. It is still in production today and presented by the house with great attention to the finest absolutes in its notes and to the preservation of the original beauty of the perfume.

I have to thank my dear friend at Niemen Marcus, Michal Gizinski for giving me a sample of this amazing perfume to try out. He, as I have said before is one of my great teachers in the realm of perfume. I am ever thankful for his guidance and generosity.

Just imagine it, this perfume is one hundred and one years old and yet as fresh and romantic and relevant today as it was in the twilight of the Edwardian era.

The top notes are orange blossom, green notes, tarragon, and bergamot, lemon and citrus. This burst on the skin fresh and bright as spring’s first flowers is gorgeous. It is a rush to the senses of white blossoms from rows and rows of orange trees and lemon on warm hillside groves. If you have ever been in such a grove you know just how beautiful this arrangement can be.

Then the heat of your skin awakens the garden that lies in the mid notes. A really stunning and photo realistic rose that truly to me smells of fresh cut roses, not that sharp synthesized rose I usually smell in perfume. But a real rose. The tuberose ads a generous helping of high glamour along with a indulgently lush jasmine. Oh does it ever sing! Behind these notes there are traces of lilac, heliotrope, creamy ylang-ylang. And intertwined are rapturous hints of lily-of-the-valley, violet and iris and even an earthy dash of one of my favorite notes, the austere silvery orris root. You have the entire garden here from deep within the earth up to the sky. “Hey buds below, up is where to grow!”

Then finally in the dry down we find the woods and the animals of the garden,  Covered in Honey a civet romps among the roses, This little sexy cat is musky and sweetened by a dash of vanilla, tonka bean and amber. All of this is warmed by a creamed smooth sandal wood and the sharp masculine notes of Oakmoss.  It is a classic French romp in the sheets if you ask me. Sweet but not cloying, and a little dirty and not afraid to be just what it is, a real perfume for a person who knows how to be a flesh and blood sensual voluptuary who is madly in love with life.

As with most of the old school classic perfumes it is very long lasting on the skin. I got twelve good hours out of it and the sillage is impressive. They are going to know you are wearing a masterpiece when you wear Quelques Fleurs L’Original.

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Quelques Fleurs L’Original Five Platinum Stars *****

AMOUR À L’OPÉRA ~ Fougère Royale by Houbigant Paris

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Palais Gernier Opera

Painting of the Paris Opera by Frank Myers Boggs

He spoke French so impeccably that anyone outside of Paris would have taken him for a Parisian. The Parisians on the other hand knew he was not French. In fact they knew exactly who he was. Well at least the aristocrats of the city knew, after all it is there job, their stock in trade one could say to recognize European royalty on the spot.

 

At the instant the oddly handsome Prince Aleksander Kostka alighted from his carriage at the curb half of the assembly ascending the steps to the Palais Garnier Opera house turned in unison to look upon his dashing form.

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    “Oh there he is, the Polish Prince of mystery.” Comtesse de Roussillion tuned whispered to her husband. “I have heard he can never go back to Warsaw. Some scandal so unspeakable that…”

 

”Bonsoir Comtesse, je suis enchante”

 

She stifled a startled squeak as her hand was enfolded by the Prince and swept up to his perfectly chiseled lips which  barely brushed the satin of her opera gloves. This sent a thousand twittering magpies to flight in her now overheated veins.

 

He dropped her hand and with a clipped bow of the head and accompanied by a bemused smile he took is leave of the middle-aged woman who was now on the verge of fainting fit.

 

“Détendez-vous mon cher, il est juste un prince pas un dieu.” Her husband hissed in her ear like an over stoked locomotive.

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The entire foyer of the Opera was abuzz with excitement as the Prince entered. He assumed it was about the revival of the opera La Juive. It was not. For just as a ship is unaware of the wake it leaves behind so too was he blithely in the dark of the effect he created where ever he went. Generally happy with a tinge of melancholy from time to time he moved though life content.

 

As his right foot touched the first landing of the grand staircase he was completely oblivious that his life was about to be shattered by a look. He paused to decide which branch of the stairs to take; she brushed past him in a cloud of mesmerizing perfume. In heavy cream and gold satin from the house of Worth she floated to the landing above. His eyes followed her as she appeared and disappeared behind the columns until she came to pause in the opposite balcony of the grand foyer and turned toward him. Her smile faded as the air between them was sucked into a whirlwind of déjà vu. The hundreds of people on the stairs moved in a frivolous dance around the Prince who saw none of them, he would really never see anyone else in the same way since she, this night had opened his eyes to a new world.

 

“Aleksi…Aleksi! How are you?”

 

The Prince looked down to see his old friend Patrice Aubchon standing in stiff evening dress before him.

 

“What are you looking at?” Patrice turned. “Ah yes, her.”

 

Who is she and what is that perfume.

 

Only the most notorious and expensive courtesan in Paris my friend. Mademoiselle Marianne Deasún, and leave it to her to wear the most shocking fragrance. It is something new, Fougere Royal I think it is called. Too many notes and too masculine for a woman if you ask me, but there is talk of course that a woman now and then is not beyond her range. Ah well there you have it. That perfume is the current mode de Paris, half the men in here are wearing it, and only one woman dares to.

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Marianne’s amber and green eyes held his eyes in lock. His in turn intrigued her with their hint of turquoise in a sea of blue.

 

“She smells like nothing I have ever experienced.”

 

Too many notes! A woman should smell like just one flower, a rose or lily of the valley.  But I must admit, on her it somehow works.

 

“I must meet her. I must smell her skin, up close.”

 

The gong sounded signifying that the opera was about to begin, she reluctantly released him from her ocular embrace and turned to walk to her box.

 

“Goodbye Patrice… I will see you later.” The Prince broke off from his amused friend and took the stairs two at a time. In the grand foyer he saw her disappear into the hall which lead to the boxes. When he entered the hall it was just in time to see her trailing skirts sashay behind an open door which closed softly behind her.

 

At the door to her box he hesitated then peeked though the tiny window. The house lights had gone down and as the curtain on the stage ascended accompanied by the first notes of the opera  Marianne’s profile was etched in pink and amber light.

 

He knocked on the door and waited for an answer.

 

*****

 

Fougere Royal 2010 by Houbigant is the modern interpretation by perfumer Rodrigo Flores-Roux of the game changing Fougere Royal of 1882 by the nose Paul Parquet.

The original Fougere Royal was the first modern perfume (and the very first fougere, meaning fern) created in an age of solifleurs it was a shocking and exhilarating blend of notes. Paul Parquet was the first nose in the history of perfume to isolate a scent molecule, the coumarin from the Tonka bean, thus ushering in a modern form of perfumery with the first use of a synthetic in a perfume.  To create a classic fougere one must add to the coumarin note, lavender and oakmoss. This trifecta of notes is the basis for the first truly masculine perfume group, the fougere.

Fougère Royale Paul Parquet

In the 1882 Fougere Royal the notes are; top, lavender, clary sage and bergamot. Mid notes of carnation, orchid, heliotrope, geranium and rose and bottom notes consisting of Tonka bean, musk, vanilla, oakmoss and coumarin.

 

In the new version by Rodrigo Flores-Roux (Donna Karan Gold, Atelier d’Orient Fleur de Chine for Tom Ford, and Fleur de Louis for Arquiste to name but three of his brilliant creations) he has created not a reformulation as such, but a modern interpretation of the classic.

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As it hits the skin there is a silky edged citrus created by bergamot that suddenly sparks brightly then gives way to green notes, chamomile, clary sage and lavender. (lavender the must have note number one for a classic fougere)  This combination is dramatic, compelling, mesmerizing. The first time I smelled this on my skin I was speechless at the beauty of this opening. It is fuller, richer and more sophisticated than most fougeres that I have smelled. Like a great piece of jewelry, it is a statement piece, a signature promising greater beauty to come.

 

Central notes of green carnation, greener geranium combine with a subtle rose and a whisper of lilac that is dusted with a magical spice note of cinnamon. The brilliance of this combo is shimmering in its effect. Here the fragrance roils and billows beautifully projecting just enough to be elegant never stepping over the line into bombastic. There is only one word for this as it transitions into the dry down. Opulent.

 

In the base the central notes that draws you in with their gravitational pull just as they radiate like a great massive star is the oakmoss and coumarin. The bold butch muscle of the fougere is found in these two notes (must have notes number two and three)  Flores-Roux has replaced the musk and vanilla of the original with a banked smoldering amber, stoked with patchouli, Tonka bean it smolders for hours.

 

The entire effect of Fougere Royal (2010) is amazing. It is built upon the first modern masterpiece and brought into the 21st century with grace, beauty and a new modernity by the house of Houbigant Paris under the direction of the Perris perfume family. (see my post Le Grand Prix ~ Perris Monte Carlo Perfume Event, San Francisco) . I must give special thanks to my friend Michal Gizinski of Neiman Marcus who first introduced me to this fragrance. He is a brilliant man who is one of my mentors and teachers in the art of perfume. If you are in San Francisco and you love perfume go to Neiman’s and talk to Michal and find out why we call him The Nose of Union Square. More about Michal soon as we are organizing an interview for Scents Memory.

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Paul Parquet father of the Fougere

Fougere Royal is a testament to the past, homage to Paul Parquet and his ground breaking creation. It is an example of true creative beauty by perfumer Rodrigo Flores-Roux who has made so many beautiful perfumes.  And above all of this, it is a modern masterpiece of complexity, bold masculinity that stands as a formidable lighthouse in a sea of boring, watery clean laundry fresh fragrances.

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Fougère Royale by Houbigant Paris ~ Five Platinum Stars *****

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