From his perch on the 20th floor there was only one thing on his mind and it was her. The city stretched south down 5th ave. in 5am slumber, winking its traffic lights from red to green in a slow jazz syncopation. The glow of Times Square was pushing up the side of buildings just over there. A smear of red dawn smudged the eastern sky like the rouge on her cheeks. It was too late for cocktails and too early for coffee. The fireworks were long gone yet he wanted to celebrate. He wanted to kiss her. It was the 5th of July 1924 and she had changed everything.
Only last month he stood every night in the same spot as he did now. Drinking martinis and feeling blue. He had it all, old money, good manners, and he was handsome, but always blue around the edges and a little lonely. He watched the couples dancing at El Morocco and the frantic beauties that hopped into cabs in the rain heading for 21. He didn’t particularly need romance but he felt something was missing; someone extraordinary was not in his life and the fact of it left him down and in the depths.
On the turn of a tango just last night the girl dancing with the Argentinean gigolo caught his eye and smiled. He had seen her earlier in the evening when she passed his table at the Cotton Club on her way to the powder room. As she glided by the silage of her perfume tickled him behind his left ear. She was not beautiful in an obvious way like the dime a dozen pretty things of Manhattan. In fact her looks were perfectly funny. But when she smiled he could see she had style. Style to burn and charm enough for the rest of his life.
When the Duke Ellington orchestra shook off the tango to slip lightly into a slow foxtrot he cut in on the Argentinean. As he guided her backwards around the edge of the dance floor the foxtrot tuned into a waltz that in turn lead them to a night of terpsichorean rapture. As they polished the parquet floor till their feet were sore he came to realize just how extraordinary she was. She had that something extra, a pizzazz that was electric. At four in the morning he took her home and said good night under the red awning of her apartment building.
The east sides of the city’s towers were turning from grey to rose with the first light of the sun. It hit him with such a force, the realization that he would marry her, and after tonight he would never be blue again. As a thousand suns winked at him from as many windows, he recalled her parting words to him just as she disappeared into her building.
“You, my dear, are simply divine.”
Simply Divine by Diana Vreeland is and extraordinarily beautiful perfume. It evokes a more romantic age of the 1920’s and yet is quite vibrant and modern. It is a class act that is as sophisticated as cocktails in smart evening clothes and as chic as a Renaissance red cap is with black jeans and a black tee shirt. It has a shimmering vibrancy that is inviting to both men and women. It is gorgeous, an instant classic.
This floral fragrance is all about the garden. Smelling it on the spray nozzle or on paper it is purely white flowers. The scent is dominated by tuberose, but not your everyday tuberose. On the skin, on my skin it turns to the greens of the garden and the flowers fall back and take a secondary place. It is very much like a country garden in high summer where the heat invigorates the lush green leaves and they fill the air. It is not a summer fragrance. No this one is for the fall and winter. And in wearing it in those seasons it is a remembrance of summers past. The nose behind Simply Divine is Clement Gavarry, who is also known for among others, Black Violet by Tom Ford, Armani Code, Prada Amber and Lovely by Sarah Jessica Parker. He also created Extravagance Russe for Diana Vreeland.
It opens with very bright green leaves and a dash of nutmeg. This combo is immediately married to the tuberose and the three notes entwine and complement each other for the entire performance of the perfume. Orange blossoms and jasmine are there in the background to lend the idea of the rest of the garden but overall it is green.
In the dry down the base notes come up with powdered sandalwood and lush cashmere wood. There is a vanilla hint that is lent to the base by tonka bean. And it is all held in place to the end by a clean slightly soapy layer of musk.
On my skin it plays overtly uni-sex. It lasted well over twelve hours and the silage bubble reached out about two feet for most of the day. It is a green fragrance that hangs in a place between a classic floral and a Chypre which will make it accessible to men who don’t mind being simply divine. When I wore this perfume it garnered more complements than I have every gotten on from almost any other perfume. Women loved it and men wanted to know what it was and were they could get a bottle.
I am really impressed with the entire line of perfumes by the house of Diana Vreeland. And it was hard to choose which one to purchase. They like the woman who inspired them are bold, commanding and impressive. These perfumes have something to say and what they talk about is always interesting. In the end I realized that if you are going to dive into the Diana Vreeland pool you have to jump head first into the deep end. So I chose the most spectacular of the five in the line.Simply Divine.
Diana Vreeland was called the Empress of Fashion, the editor in chief of both Harpers Bazaar and Vogue she changed the face of fashion in America and the world. As Lauren Hutton said about her, “She was an upside down original!” The man behind the perfume line is Alexander Vreeland, the grandson of Mrs. Vreeland. His life long intention has been to create something that captures the essence of his beloved and extraordinary grandmother. How perfect a way to do this is perfume? I had the great privilege to be able to tell Alexander Vreeland that he had succeeded in his dream to honor her and that he has done his grandmother proud.
SIMPLY DIVINE Five Platinum Stars *****